Urstudien, Part 2

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Flesch, Carl - Urstudien - Basic Studies For Violin - Carl Fischer Edition

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Flesch Urstudien

Hildegard: there's no Accardo scale book here, and I can't find it on Shar's site. I'll be on the lookout for it. By the copyright date, it's not public domain for another 62 years.

I fear it may be out of print. It's a good book; I like anything that offers insight into Ysaye's artistry. The book has excercises for smooth legato string crossing in slurs : g d' 4 d' 0 a' 4 a' 0 e" 4 e" 0 and back down; g a d' e' a' b' e" f " and back down, and so on.

Also some double stops and arpeggios with Ysaye's intelligent and practical fingerings check out the foreward by Szigeti if you ever come across a copy , like A-major arpeggio: going up funny how we take it for granted a hundred years after he ruled the violin world with that kind of daring innovation. I own Flesch, but I do ve scales Galamian-style.

Scale - The Fingerboard - Maestronet Forums

I know four-octave major scales. I think Rostal put some in. Definitely don't get stuck on one fingering for anything, and once you think you're too good at major and minor melodic , try adding harmonic minor and the church modes pick a major scale, start and end on a note other than the tonic; or look at it as picking a key sig. The Ysaye is checked out right now; I'll post my findings on the Urstudien--if I'm not busy using them. Vieuxtemps: Thanks. Which part of the states are those two libraries located at? I might have some friends there to help me.

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However, to get maximum benefit out of scale practice, don't let yourself get overly tied to one fingering, since the literature will demand that you be able to play a scale using many different fingerings. You can post now and register later. If you have an account, sign in now to post with your account. Note: Your post will require moderator approval before it will be visible.

Organization of the Jascha Heifetz Collection. Selected Search Terms. Music, Programs, Correspondence, Photographs, Scrapbooks, Miscellaneous, The Jascha Heifetz Collection, in the breadth and variety of its contents, gives a rare and comprehensive look at the life of one of history's most important violinists. Heifetz's personal music library includes his original compositions, arrangements and transcriptions some of which are unpublished , his annotated parts and scores, holographs and manuscripts of many of his contemporaries, and hundreds of printed scores at least some of which appear to have been previously owned by Joseph Achron.

Scales by Flesch, Galamian and Gilels

Concert programs document his performances from to , and photographs, photo albums, and scrapbooks, encompassing the violinist's entire life, capture Heifetz in performance, with his family, and with notable personalities. And the correspondence, constituting a small part of the collection, contains letters from such important musical figures of the twentieth-century as Leopold Auer, Benjamin Britten, Sergei Prokofiev, George Bernard Shaw, and Sir William Walton. In using the guide to the Music, the following distinctions should be observed. Bracketed titles are uniform titles, assigned in accordance with Anglo-American Cataloguing Rules, second edition.

Non-bracketed titles are shown as they appear on the music itself. Numbers in parentheses refer to the number of copies. Where no contrary information is give, music may be assumed to be printed. All of Heifetz's compositions, with the exception of the cadenzas and Theme and Variations, were published under the pseudonym of Jim Hoyl.